{"id":1559,"date":"2015-08-10T03:00:08","date_gmt":"2015-08-10T07:00:08","guid":{"rendered":"http:\/\/blog.paracletepress.com\/index.php\/gregorian-chant-the-eternal-song-58\/"},"modified":"2015-08-10T03:00:08","modified_gmt":"2015-08-10T07:00:08","slug":"gregorian-chant-the-eternal-song-58","status":"publish","type":"post","link":"https:\/\/blog.paracletepress.com\/index.php\/gregorian-chant-the-eternal-song-58\/","title":{"rendered":"Gregorian Chant: The Eternal Song"},"content":{"rendered":"<p>By Sr. Fidelis<\/p>\n<p><em>Much to learn!<\/em><\/p>\n<p>Antiphons are wonderful &#8220;miniatures&#8221; that we can study to glean knowledge about Gregorian Chant.\u00a0 Below you&#8217;ll see a short antiphon, <em>Vos reliquistis,<\/em> which translated means: You who have left all things and followed me, shall receive a hundredfold, and life everlasting you will possess. (Matthew 19:28-29) This is Jesus&#8217; word to his disciples in regards to them answering the call to follow him.\u00a0 The Latin word, <em>reliquistis, <\/em>immediately brings to mind the English cognate &#8220;relinquish&#8221; &#8211; to hand over to another\u00a0person.<\/p>\n<p><img decoding=\"async\" class=\"alignleft size-medium wp-image-5569755\" src=\"http:\/\/of.communityofjesus.org\/wp-content\/uploads\/skitch.png\" alt=\"The Community of Jesus\" width=\"500\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>This antiphon is used at Lauds, setting the right &#8220;tone or mode&#8221; for the chanting of the Benedictus for that particular day.\u00a0 You&#8217;ll see that it&#8217;s in Mode 1.\u00a0 At first glance, the antiphon looks low, and indeed it is.\u00a0 One listen to the audio file will confirm that!<\/p>\n<p>Mode 1 has a reciting note of LA and a home tone of RE.\u00a0 We call this a RE Mode. ( Mode 2 is also a RE Mode, and we&#8217;ll be looking at that next week.) RE is located on the bottom line of the staff, and the antiphon begins and ends on this principal pitch.\u00a0 With this particular antiphon, it barely makes it up to the reciting note LA.\u00a0 We can hear the rise of the phrase to the words <em>estis me, <\/em>and the climactic point on the first two notes of<em> centuplum <\/em>(a hundredfold!).\u00a0 Then the melody gradually subsides to its final resting place on <em>possidebitis <\/em>(will possess).\u00a0 A simple sentence, a simple range of 5 or 6 notes; yet it conveys the <strong>conversation<\/strong> of this text!\u00a0\u00a0 Other Mode 1 antiphons have a broader range, and often ascend past the reciting note of LA.\u00a0 But this particular one resides in the lower part of the modal range.<\/p>\n<p>One more thing to note and that is the ending within the double bars.\u00a0 This is the ending for the recitation of the psalmody that would normally accompany this antiphon.<\/p>\n<p>The vowels E u o u a e, are a shorthand for the last verse chanted at the end of the psalm, the <em>Gloria Patri<\/em>.\u00a0 These vowels are the last 6 in the Latin words, <em>saeculorum, Amen.<\/em><\/p>\n<p>Notice that this ending &#8220;hovers&#8221; around the Reciting tone LA!<\/p>\n<table>\n<tbody>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/feeds.feedburner.com\/~r\/TheCommunityOfJesus\/~4\/cC-TrOHayf0\" height=\"1\" width=\"1\" alt=\"\" \/><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>By Sr. Fidelis Much to learn! Antiphons are wonderful &#8220;miniatures&#8221; that we can study to glean knowledge about Gregorian Chant.\u00a0 Below you&#8217;ll see a short antiphon, Vos reliquistis, which translated means: You who have left all things and followed me, &hellip; <a href=\"https:\/\/blog.paracletepress.com\/index.php\/gregorian-chant-the-eternal-song-58\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"1","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1559","post","type-post","status-publish","format-standard","hentry","category-paraclete-press"],"_links":{"self":[{"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/posts\/1559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/comments?post=1559"}],"version-history":[{"count":0,"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/posts\/1559\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/media?parent=1559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/categories?post=1559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.paracletepress.com\/index.php\/wp-json\/wp\/v2\/tags?post=1559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}