As Christians, the pursuit of beauty in all of its forms is ever before us. While the world’s definition of beauty – a wrinkle-free, almost inhuman imitation of so-called “perfection” – almost always leads to self-abasement and discouragement, true beauty as we seek it only leads to a further knowledge of God’s love for us, to a clearer and brighter reflection of who He is, and to a deeper desire to become co-creators of beauty with him in all the quotidian elements of our lives.
Gabriele Wilpers, an internationally celebrated painter and sculptor from Essen, Germany, knows all about this calling toward beauty, and all of the risks and rewards that accompany that vocation. After training as a photographer, between 1973 and 1978 Gabriele Wilpers studied free painting at the Folkwang Hochschule in Essen, Germany. Since then she has lived and worked in Essen as a freelance visual artist. In recent years she has taken first prize in competitions for art in the public domain, and she has designed entire church interiors for several parishes in the archidocese of Freiburg im Breisgau. Wilpers uses a variety of artistic methods in her artwork – painting, installation objects, film, and architectural glass – to reflect and describe the human existence. Her interventions in an existing space, which can be both sacred and profane in nature, question the context in which modern man lives today.
Back in July of 2005, Ms. Wilpers was invited by the Munster Chapter of the Catholic Women’s Organization to contribute to the 1200th anniversary of the diocese of Munster. The discovery of a medieval thimble, excavated from the ruins of the Uberwasser Convent, inspired Ms. Wilpers to create an installation for the nearby Uberwasser Gothic church. Entitled “As Numerous as the Stars in the Sky” Ms. Wilpers’ installation was comprised of thousands of thimbles gathered from the women of the diocese, and became a sort of memorial to the myriad, nameless women of Munster through the ages, who faithfully lived out their vocations. Upon entering the church, the viewer’s gaze was immediately drawn upward to a sparkling, starry canopy made up of these now almost meaningless, outdated objects, each suspended from different colored threads, and given new meaning by Ms. Wilpers for this occasion. As one journalist put it, “Each individual thimble—the protector of sensitive fingertips—hence becomes a symbol of that which women have experienced and achieved. They become centuries-old witnesses to female stories and histories, trigger many associations in connection with women’s lives and, taken out of their original context, artfully perform their story-telling role. The sparkling firmament speaks of the hard work of women, of suffering and poverty, but also of joy, and inside the church represents a symbolic space for the histories of uncounted women in the diocese.”
Ms. Wilpers’ installation in the Munster Church was only temporary, but her art has found many other permanent homes, one of which is the Church of the Transfiguration in Orleans, Massachusetts on Cape Cod. Gabriele Wilpers designed the glass sculpture on the West Wall of the Church of the Transfiguration, connecting the oculus window and lintel (over the main doors) in a seamless design portraying Christ’s Transfiguration. In Wilpers‘ studio at Essen and at the Derix Glasstudios in Taunusstein, Germany, she and glass fabricators collaborated on the modern abstract sculpture. The sculpture features sixty-four individually cast glass panels covered with gold-leaf paint, which was partially removed with an acid wash.The varying intensity of the gold and the pattern of ridges and valleys evoke elements of the reflected light from sunsets over the Cape Cod sand flats and combine to gather, reflect, and refract light, becoming a glistening and shimmering wall of Transfiguration splendor.
This week, artists, art-lovers and all seekers of beauty have an opportunity to encounter and hear from Gabriele Wilpers first-hand here at the Community of Jesus. Lumen Christi: Easter Encounters with Art will be held April 5th through 9th. Ms. Wilpers is joined by Monsignor Timothy Verdon, a renowned Art Historian and prolific author, for this five-day series of illuminating lectures on Easter themes of light, resurrection and rebirth in sacred art. All are invited to come and be inspired by these beautifully illustrated lectures on art and architecture, from the baroque to the contemporary, hosted by the Mount Tabor Ecumenical Centre for Art and Spirituality. In a time when so many Christian women and artists suffer from isolation, lack of support and understanding, and a market-driven secular environment, Lumen Christi: Easter Encounters with Art offers an alternate experience of contemplation and creativity, focusing on the artists‘ vital contribution to the faith conversation. For more information visit www.mounttabor.it or call 508-240-7090.
 Frank Joachim Schmitz, Berichte, Das Munster,